Cabledyne Reference Silver RCA Cables - 1.0 Meter Pair

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Price: $420.00   

Product Feature

• Xhadow Precision RCA Connectors: Machined oxygen-free copper silver plated body, positive-fitting leaf spring contacts, anodized aluminum cover, solderless termination. Cryogenically treated by CryoPlus, Inc. Offers the highest sonic purity and build quality.
• Henan Youk: Manufacturer of monocrystal 99.9999% purity silver square wire. Advanced vacuum induction melting, inert gas process refining, and cryogenic finishing. Ultra-Pure-Oxygen-Free wire results in a grain-free sonic performance. Solid silver, no plating.
• Chemfluor: Internal cable structures employ Hyflon MFA air tubing. This tubing has the lowest dissipation factor compared to Polyethylene, FEP, and PTFE Teflon found in other products (better focus without glare).
• Special Metals: Manufacturer of Inconel chromium alloy wire (metal braided cable sheath eliminates sonic coloration).
• Specifications: Capacitance 20 pF/0.5 meter.

Product Description

Our high-end audio Reference Silver RCA Cable reveals fine musical detail in the best recordings free of edge, grit, and glare. Overall character is neutral, open, and clear. The audiophile experiences musical nuances and dynamics in the original recording. Cryo 6-nines purity silver monocrystal (unplated) square wire: Continuous Directional Solidification process (similar to OCC) offers incredible detail and clarity. Square wire allows tighter winding geometries and improved conductor coupling compared to round wire. Twin conductors are spiraled around a longitudinal filament in sealed low dissipation Hyflon MFA air tubing yielding a compact core structure. Inconel chromium alloy cable sheath: Conventional audio cable construction employs plastic braid coverings or PVC jackets that impart a sonic coloration to the signal (loss of ultimate clarity). Our exclusive non-magnetic Inconel chromium alloy cable sheath eliminates lossy dielectric materials and effectively blocks electromagnetic fields. The shield is independent of the signal conductors, protects the cable structure, and is flexible.

Cabledyne Reference Silver RCA Cables - 1.0 Meter Pair Review

I have to start this test with a confession. I'm not much of a cable guy. Sure I use them - Hard to run a stereo systems without them, of course. I've even run many high quality and high dollar sets, but it's never been something I put a lot of time and thought into. I knew that quality was important, but I was not one to fuss much over my selection of cables or interconnects.

I had first learned the difference between interconnects when I was persuaded to try some Grover Cables in place of the Kimber PBJ's I was running. I didn't expect to hear a difference, and I did the swap to be a good host, but I was shocked when the Grovers sounded noticeably cleaner and smoother than the PBJ's. And yes, all the contacts were good and clean before the swap. However, I could never find the enthusiasm in myself to play too much with cables. I just kept what I thought was good and enjoyed it.

When the opportunity to test the Cabledynes came up, I must say I approached it with some trepidation. I was running an updated version of the Grovers, between my Underwood Marantz DVD-2900 and my Manley Stingray, that was driving my lovely old Spendor SP 1/2e's. I was not entirely happy with the sound though. Yes, it was about the best sound I had ever had, but I was fighting some extra upper midrange energy in my system. Not that it was unlistenable, but it was just a little "hotter" through the upper mids than I preferred. I had done some minor tweaking to correct it, but I figured I needed some mellower tubes in the Stingray to balance things out. Where the trepidation came was because conventional wisdom suggests that silver cables would accentuate the area that I was the least happy with in my system. I expected a silver cable to make that upper midrange energy even more noticeable. I feared this might not be a good time!

Per the manufacturers recommendation, I let the cables burn-in in my system for more than 50 hours. Between my work schedule, and no desire to leave the space heater that is the Stingray running constantly, it took two weeks to get to that point. Then I settled in for some listening.

My first impression on seeing them was that these cables were amazingly well made. As a long time Grover cable user, I was used to a somewhat more pedestrian build quality. I was very pleasantly surprised when I saw the Cabledynes. These are some very attractive, very well built cables. They are not flashy in the "look at me", garden hose way. I hate cables that are so big they are hard to use, or even cables that are so stiff they want to lift the gear off your shelf. Another pet peeve is connectors with a death grip on your jacks. Is this stuff really necessary? From a usability perspective, the Cabledynes got it just right. The connectors grip well, without any worry that your jacks are gonna come out of your gear when you unplug them. The cable is flexible enough to use easily in my rack. Well done, Cabledyne. Why can't more cable companies do this so right?

What I haven't yet addressed is how they sounded. As I said, I started into this test with the worry that they would not match well with my system. Even worse, I thought they would take an existing problem, and make it more noticeable.

The Cabledynes had about 60 hours on them, I figure, when I started listening. The first cd I tried was an old favorite, Simpatico, by Suzy Boggus and Chet Atkins. I must have listened to this album about a thousand times of the last two decades. This is not an audiophile cd, but a well recorded standard release. Before the Cabledynes, I had heard a touch of hardness with this cd, so I figured this would be a good indication of what might come. I settled in to listen, trying hard not to concentrate too much on differences, but rather to just enjoy the music. I have to say I was surprised when I started hearing little difference that I hadn't heard before. Sounds seemed both clearer, and more distinct in space. Chet's guitar had more clarity and just seemed more real. And Suzy's voice? Just beautiful. It took a bit of listening before I realized that the extra upper middle energy I was concerned about wasn't an issue.

I tried a bunch more cd's. The new Nat Kind Cole Story SACD. The Skydiggers Road Radio. The Blue Shadows On the Floor of Heaven. Dave Brubeck Time Out K2HD. The Emperor Quartet Hors D'Oeuvres. All cd's I know and love. And over and over again, I heard the same thing. More detail in a musical, not "HiFi" way, and the harshness in the upper mids is definitely reduced.

Overall, I must say I was very pleasantly surprised by what I heard. I've never viewed cables or wires as being something that changed the sound of a system dramatically. For me, the effect has usually been subtler; more a way to fine-tune an already nice system, and squeeze the best out of it. Going in, I was expecting little difference, as I already had some interconnects I really liked. Actually, as I stated previously, I was worried that there might be a slight worsening of the issues I was dealing with in the upper mids. What I got instead was more clarity, less harshness and an overall more musical system. With the improvements I heard, and the great build quality of these cables, I give the Cabledyne Silver Reference my highest recommendation. These are truly great interconnects, and they won't be leaving my system anytime soon. Only down side of this test is that now I'm thinking I might have to invest in a matching set of speaker cables!

Big thanks to Ed at Cabledyne for making this test possible.

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